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公元683年，唐高宗驾崩，其子李显（王昊 饰）继位，武氏皇太后（殷桃 饰）次年立李旦（田宇鹏 饰）为帝，废李显为庐陵王，从此开始了武则天独断朝纲的时代。嗣圣元年九月，徐敬业（董彦麟 饰）发动扬州叛乱，反对武则天独裁统治，武氏遣大军迅速平息，并诛杀了顾命大臣裴炎（杨洪武 饰）等朝内反对派，进一步巩固了执政地位。之后，她设计逼反李唐宗室，逐渐清除异己，凡是对自己执政不利的人统统诛杀之。为达到称帝之目的，她任人唯亲，滥用酷吏，并从古籍中寻找女人执掌天下的典故广布天下。她还建万象神宫，造祥瑞，为日后称帝大造舆论。在废黜李显后的第五年，即垂拱四年五月十八，武氏加尊“圣母神皇”向女皇梦迈出了第一步......。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。本剧讲述了生活在乳腺癌病史阴影下的一家人。 简家的大女儿简捷（丁嘉丽饰）跟随父亲生活多年，内心一直对家人有怨恨，但是她一直坚持照顾着母亲和两个妹妹。她与好男人鞠立（赵军饰）一起经营茶馆，两人在一起多年，却一直没结婚。简捷将挑剔讲究的母亲接到家里来住，一家人窝居在窄小的空间里，摩擦不断…… 二女儿简宁（王菁华饰）是一家宾馆的客房部经理，正在与对手竞争运营总监的职务；女儿陈寰中考在即；丈夫陈历生（王洛勇饰）作为大学中文系主任忙着申请课题专项资金。这个家庭和谐快乐，刚刚付了房款首期，满怀幸福地憧憬未来。可是这天晚上，简宁在洗澡时意外地发现了乳房肿块…… 小女儿简欣（梁静饰）和简宁从小一直跟着母亲（归亚蕾饰），是一个风风火火、事业有成的女人，在电视台新闻部担任著名栏目制片人兼主持人。她在有妇之夫邵主任（高景文饰）和男友丁一诺（海一天饰）之间...。